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Sarah Shoham: Yearning (2007)


Double bass doublebass contrabass contrabasso Kontrabass Kontrabas contrbasse contrabajo doublebassist Imslp solo music cello violoncello violincello violoncel strings
Israeli Jewish Song Contemporary Romantic Crossover Cross Over Women composer composers Classical  קונטרבס קונטרה בס צ'לו כלי קשת מיתרים נגינה מוזיקאי מוסיקאי מוסיקה קונצרטים קונצרט מוזיקה קלאסית ישראלי יהודי שיר שירים בת זמננו בת-זמננו עכשווית נשים מלחינות מלחינה קלאסיקה

Sarah Shoham: Yearning (2007)

Ron Merhavi – Double Bass


Thoughts about my works "Yearning"


"Art is impossible without heritage…" (Albert Camus)


The works express a yearning for a place that was here once, not so long ago, a place where everything was possible and wrapped in a dream. Longing, even if not fulfilled, leads us to a better place within us, a place of talking to the inner self, a place of love for the dreaming and daring self.


In these works I have a dialogue with the landscape.

I composed the first one inspired by "Fields in the Valley" (1950), Lyrics: Levi Ben-Amitai, Composer: Ephraim Ben-Haim. The second is inspired by "Legend", lyrics: Yaakov Fichman, Composer: Hanina Karczewski and the third inspired by "My Field is still Blooming", Lyrics: Fanya Bergstein, Composer: David Zehavi.

It is a work with a spatial musical identity that maintains inner mobility and a fertile dialogue between East and West. East and West are not opposites but merge equally and form a multi-voiced musical identity.


The work's connection to folk song does not stem from a longing for the past but from a yearning for spiritual fit, a longing for innocence that is the mother of the human connection and re-establishes the taste of forgotten childhood, in which, as Rina Litvin says,

'The lemon smells like lemon,

the flowers give their fragrance

and the world overcomes its banality.

A world in which life meets with its interpretation.'


This is not nostalgia.

It is a search for meaning and depth in life existence.

It is not to be tempted to the obvious and available visible above the surface.

It is to be a hunter of the sounds hidden from the ear.

It is to be attentive to the spirit and create as the native of this bubbling place.

Give different ethnic capillaries a way out of the classic work.

Be pluralistic and able to live with multiple meanings.

Sarah Shoham, September 2007






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